{"id":11181,"date":"2023-01-14T14:21:37","date_gmt":"2023-01-14T14:21:37","guid":{"rendered":"https:\/\/ogled.org\/uncategorized\/miodrag-suvakovic\/"},"modified":"2023-02-13T11:21:35","modified_gmt":"2023-02-13T11:21:35","slug":"miodrag-suvakovic","status":"publish","type":"post","link":"https:\/\/ogled.org\/en\/authors-biographies\/miodrag-suvakovic\/","title":{"rendered":"Miodrag \u0160uvakovi\u0107"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"11181\" class=\"elementor elementor-11181 elementor-9075\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d8d3ce9 elementor-section-full_width elementor-section-height-default elementor-section-height-default qodef-elementor-content-no\" data-id=\"d8d3ce9\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-46ea655\" data-id=\"46ea655\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0401793 elementor-widget elementor-widget-text-editor\" data-id=\"0401793\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.21.0 - 22-05-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>Miodrag \u0160uvakovi\u0107 (1954) is a theorist, aesthetician, artist, curator, and professor of theory of art, culture, and aesthetics.<\/p>\n<p>He is professor of Applied Aesthetics &amp; Theory of Art and Media at the Faculty for Media and Communications, Belgrade and member of Slovenian Society of Aesthetics. \u0160uvakovi\u0107 received PhD from the Faculty of Fine Arts from the University of Art in Belgrade in 1993. He has been Professor of Applied Aesthetics, Faculty of Music in Belgrade (1996-2015) and president of the IAA (International Association for Aesthetics 2019-2022) . He has published or edited 50 books in Serbian, Slovenian, Croatian and English, among them: PAS TOUT\u2013 Fragments on art, culture, politics, poetics and art theory 1994-1974 (Buffalo, 1994), 2001; Impossible Histories \u2013 Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991 (co-editor with Dubravka \u0110uri\u0107, Cambridge MA 2003, 2006), Pojmovnik suvremene umjetnosti [Concepts of Contemporary Art] (Zagreb, Ghent, 2005), Epistemology of Art \u2013 Critical design for procedures and platforms of contemporary art education<\/p>\n<p>(Belgrade, Wien, Erme, Antwerp, 2008), <em>Clandestine<\/em> <em>Histories<\/em> <em>of<\/em> <em>the<\/em> <em>OHO<\/em> <em>Group<\/em> (<em>Ljubljana<\/em>, 2009), Neo-Aesthetic Theory. Complexity and Complicity Must <a href=\"https:\/\/knjige.fmk.edu.rs\/product\/nova-povezivanja\/\"><em>Be<\/em><\/a> Defended (Wien, 2017).<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0dc4e49 elementor-section-full_width elementor-section-stretched elementor-section-height-default elementor-section-height-default qodef-elementor-content-no\" data-id=\"0dc4e49\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b6f8636\" data-id=\"b6f8636\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div 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class=\"qodef-grid-masonry-sizer\"><\/div>\n\t<div class=\"qodef-grid-masonry-gutter\"><\/div>\n<article class=\"qodef-e qodef-blog-item qodef-grid-item  post-11211 post type-post status-publish format-standard has-post-thumbnail hentry category-iz-drugog-broja category-tekstovi tag-miodrag-suvakovic-en\">\n\t<div class=\"qodef-e-inner\">\n\t\t<div class=\"qodef-e-media\">\n    \t<div class=\"qodef-e-media-image\">\n\t\t<a itemprop=\"url\" href=\"https:\/\/ogled.org\/en\/texts\/miodrag-suvakovic-unavoidable-antagonisms-or-three-biopolitics\/\">\n\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1920\" height=\"1440\" src=\"https:\/\/ogled.org\/wp-content\/uploads\/2023\/01\/01-Naslovna-2.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"\" srcset=\"https:\/\/ogled.org\/wp-content\/uploads\/2023\/01\/01-Naslovna-2.jpg 1920w, https:\/\/ogled.org\/wp-content\/uploads\/2023\/01\/01-Naslovna-2-300x225.jpg 300w, https:\/\/ogled.org\/wp-content\/uploads\/2023\/01\/01-Naslovna-2-1024x768.jpg 1024w, https:\/\/ogled.org\/wp-content\/uploads\/2023\/01\/01-Naslovna-2-768x576.jpg 768w, https:\/\/ogled.org\/wp-content\/uploads\/2023\/01\/01-Naslovna-2-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\t\t<\/a>\n\t<\/div>\n<\/div>\n\t\t<div class=\"qodef-e-content\">\n\t\t\t<div class=\"qodef-e-top-holder\">\n\t\t\t\t<div class=\"qodef-e-info\">\n\t\t\t\t\t<a itemprop=\"dateCreated\" href=\"https:\/\/ogled.org\/en\/2023\/01\/\" class=\"entry-date \">\n\tJanuary 12, 2023<\/a><div class=\"qodef-info-separator-end\"><\/div>\n<a href=\"https:\/\/ogled.org\/category\/tekstovi\/iz-drugog-broja\/\" rel=\"tag\">Iz drugog broja<\/a><span class=\"qodef-info-separator-single\"><\/span><a href=\"https:\/\/ogled.org\/category\/tekstovi\/\" rel=\"tag\">Tekstovi<\/a><div class=\"qodef-info-separator-end\"><\/div>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"qodef-e-text\">\n\t\t\t\t<span itemprop=\"name\" class=\"qodef-e-title entry-title\" >\n\t<a itemprop=\"url\" class=\"qodef-e-title-link\" href=\"https:\/\/ogled.org\/en\/texts\/miodrag-suvakovic-unavoidable-antagonisms-or-three-biopolitics\/\">\n        Miodrag \u0160uvakovi\u0107 <br>UNAVOIDABLE ANTAGONISMS OR THREE BIOPOLITICS\t<\/a>\n<\/span>\n            <p itemprop=\"description\" class=\"qodef-e-excerpt\">Zoran Todorovi\u0107, Warmth (photodocumentation), 2009. Zoran Todorovi\u0107 is an artist with an antagonistically open symptom which anyone who enters into his work, intervention or impact has to resolve for themselves, both emotionally and intellectually, taking responsibility for their own unexpected and unplanned reactions, decisions, choices, declarations and evaluations. The aspects and models of the aspects [&hellip;]<\/p>\n            \t\t\t<\/div>\n                                    <div class=\"qodef-e-read-more\">\n            <a class=\"qodef-shortcode qodef-m  qodef-button qodef-layout--textual  qodef-html--link\" href=\"https:\/\/ogled.org\/en\/texts\/miodrag-suvakovic-unavoidable-antagonisms-or-three-biopolitics\/\" target=\"_self\"  >\t<span class=\"qodef-m-text\">Op\u0161irnije<\/span>    <svg class=\"qodef-svg--button-arrow\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" x=\"0\" y=\"0\" viewBox=\"0 0 11.9 11.9\"     xml:space=\"preserve\"><path class=\"qodef-path\" d=\"M.4 11.5 11.4.6M11.4 10V.5H1.9\"\/><path class=\"qodef-path\" d=\"M.4 11.5 11.4.6M11.4 10V.5H1.9\"\/><\/svg><\/a>        <\/div>\n    \t\t<\/div>\n\t<\/div>\n<\/article>\n\t<\/div>\n\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Miodrag \u0160uvakovi\u0107 (1954) is a theorist, aesthetician, artist, curator, and professor of theory of art, culture, and aesthetics. He is professor of Applied Aesthetics &amp; Theory of Art and Media at the Faculty for Media and Communications, Belgrade and member of Slovenian Society of Aesthetics. \u0160uvakovi\u0107 received PhD from the Faculty of Fine Arts from [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[118],"tags":[],"class_list":["post-11181","post","type-post","status-publish","format-standard","hentry","category-authors-biographies"],"_links":{"self":[{"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/posts\/11181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/comments?post=11181"}],"version-history":[{"count":7,"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/posts\/11181\/revisions"}],"predecessor-version":[{"id":11188,"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/posts\/11181\/revisions\/11188"}],"wp:attachment":[{"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/media?parent=11181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/categories?post=11181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/tags?post=11181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}