{"id":12165,"date":"2024-01-14T19:42:37","date_gmt":"2024-01-14T19:42:37","guid":{"rendered":"https:\/\/ogled.org\/uncategorized\/eye-to-i-no-2\/"},"modified":"2024-01-14T21:50:27","modified_gmt":"2024-01-14T21:50:27","slug":"eye-to-i-no-2","status":"publish","type":"post","link":"https:\/\/ogled.org\/en\/eye-to-i-en\/eye-to-i-no-2\/","title":{"rendered":"EYE TO I No 2"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"12165\" class=\"elementor elementor-12165 elementor-12123\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d524484 elementor-section-full_width elementor-section-height-default elementor-section-height-default qodef-elementor-content-no\" data-id=\"d524484\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0991a9a\" data-id=\"0991a9a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-77a3ea3 elementor-widget elementor-widget-text-editor\" data-id=\"77a3ea3\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.21.0 - 22-05-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>\n            <strong>TECHNOLOGY: PERIL AND POETIC IMAGINATION <\/strong>\n          <\/p>\n<p>Hephaestus, the unpleasant and ill-tempered Greek God of technology, was evicted twice from Olympus. Yet, despite the revulsion the other gods felt towards him, they eagerly sought his services because his great technical and artistic skills made him indispensable. This love-hate relationship towards technology can be traced forward to these days, especially considering the consequences of the Fifth Industrial Revolution.<\/p>\n<p>In the Book XVIII of the Iliad, which is called the Hoplopoiea (Weapons Creation) the outcast Hephaestus was working in his \u201cstarry golden court\u201d, where Hera,<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5af4127 elementor-widget__width-initial elementor-widget-tablet__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"5af4127\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<blockquote>\n<h6><span style=\"font-size: 18pt;\"><em>\u201creigning queen of goddesses\u201d: \u201c\u2026found him in a sweat\/ About his bellows, and in haste had twenty tripods beat\/ To set for stools about the sides of his well-builded hall.\/ To whose feet little wheels of gold he put, to go withal,\/ And enter his rich dining-room; alone, their motion free \/ And back again go out alone[\u03b1\u03c5\u03c4\u03cc\u03bc\u03b1\u03c4\u03b1), miraculous to see.\u201d<br>\n\n(Book XVIII, 330-335, trans. George Chapman).<\/em><\/span><\/h6>\n<\/blockquote>   \t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b57c88d elementor-widget elementor-widget-text-editor\" data-id=\"b57c88d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>As we can see, the outsider god, as a great craftsman, was the first inventor of many machines, including automata, described as a machine moving on its own by means of internal energy. Technology, therefore, as an integral part of human development, was always discussed as a peril or-and used as an instrument of poetic imagination. Throughout history, the interdisciplinary approach to technology &#8211; from philosophy, anthropology, sociology, history, economy, culture etc. \u2013 as embedded in all human activities has been tracing the changes it brings with every technological invention throughout all four technological revolutions, and its impact on culture and society.<\/p>\n<p>However, we now live at a time which brings the question of artificial intelligence to the forefront. Artistic production started to explore this field quite a while ago, investigating the new principles of techno-feudalism and the procedures of human and nature exploitation, the inequalities generated and the new financial and production systems hidden behind the black screens of our computers and mobile devices. Accumulated crises in the fields of finance, politics, war, climate, environment, and \u201cinvestor-led\u201d capitalism, have blocked our thoughts and chained our imagination. Therefore artists have started to work on the <em>new imaginarium<\/em> as well, to envision possible ways of using technology for a more suitable future.<\/p>\n<p>This new edition of EYE TO I magazine brings essays addressing the Fifth Industrial Revolution under four aspects: the relationship between the new technology and human and natural extraction as developed in recent art projects, strategies of coexistence with it, as well as the question of the technology of the art system itself, considered in terms of a technology employed by another Greek divinity, Pallas Athena \u2013 technology as tactics and strategies.<\/p>\n<p>We would like to express our gratitude to our authors and artists for this edition: Petar Jevremovi\u0107, Uro\u0161 Kr\u010dadinac, Bojana Mateji\u0107, Darija Medi\u0107, Jan Krasni, Nela Tonkovi\u0107, Milica Lopi\u010di\u0107 and Vladan Joler. They are addressing this issue from the three perspectives specified.<\/p>\n<p>Borislav Peki\u0107, one of the most important literary figures of the 20th Century, writes in his anthropological novel \u201cAtlantis\u201d: &#8220;It is our duty to follow our imagination at least as much as we respect the obviousness of the real world we live in. Because the truth is most likely to be somewhere between where our imagination and someone else&#8217;s reality intersect.&#8221; That is why we need to talk about pro- and anti-technological sentiments, and the role of art in this debate. We need both to follow Hephaestus\u2019 way of working and doing, and Athena\u2019s way of understanding.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bb433f8 elementor-widget elementor-widget-gavino_core_image_gallery\" data-id=\"bb433f8\" data-element_type=\"widget\" data-widget_type=\"gavino_core_image_gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"qodef-shortcode qodef-m  qodef-image-gallery  qodef-grid qodef-swiper-container  qodef-gutter--normal qodef-col-num--1  qodef-responsive--predefined\" data-options=\"{&quot;slidesPerView&quot;:&quot;1&quot;,&quot;spaceBetween&quot;:30,&quot;loop&quot;:true,&quot;autoplay&quot;:false,&quot;speed&quot;:&quot;&quot;,&quot;speedAnimation&quot;:&quot;&quot;,&quot;slideAnimation&quot;:&quot;fade&quot;}\">\n\t<div class=\"swiper-wrapper\">\n\t\t<div class=\"qodef-e qodef-image-wrapper swiper-slide \">\n\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1920\" height=\"1368\" src=\"https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I.jpg 1920w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-300x214.jpg 300w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-1024x730.jpg 1024w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-768x547.jpg 768w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-1536x1094.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\t<\/div>\n<div class=\"qodef-e qodef-image-wrapper swiper-slide \">\n\t\t\t<img decoding=\"async\" width=\"1920\" height=\"1440\" src=\"https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0003.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0003.jpg 1920w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0003-300x225.jpg 300w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0003-1024x768.jpg 1024w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0003-768x576.jpg 768w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0003-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\t<\/div>\n<div class=\"qodef-e qodef-image-wrapper swiper-slide \">\n\t\t\t<img decoding=\"async\" width=\"1920\" height=\"1440\" src=\"https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0005.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0005.jpg 1920w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0005-300x225.jpg 300w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0005-1024x768.jpg 1024w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0005-768x576.jpg 768w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0005-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\t<\/div>\n<div class=\"qodef-e qodef-image-wrapper swiper-slide \">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1440\" src=\"https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0035.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0035.jpg 1920w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0035-300x225.jpg 300w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0035-1024x768.jpg 1024w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0035-768x576.jpg 768w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0035-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\t<\/div>\n<div class=\"qodef-e qodef-image-wrapper swiper-slide \">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1440\" src=\"https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0046.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0046.jpg 1920w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0046-300x225.jpg 300w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0046-1024x768.jpg 1024w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0046-768x576.jpg 768w, https:\/\/ogled.org\/wp-content\/uploads\/2024\/01\/EYE-TO-I-No2-sa-CIP-om-page-0046-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\t<\/div>\n\t<\/div>\n\t    <div class=\"swiper-button-prev \"><svg class=\"qodef-svg--slider-arrow-left\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\n     xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" x=\"0px\" y=\"0px\" width=\"82.1\" height=\"69.8\"\n     viewBox=\"0 0 82.1 69.8\" style=\"enable-background:new 0 0 82.1 69.8;\" xml:space=\"preserve\"><g><line x1=\"81.8\" y1=\"35.4\" x2=\"1.8\" y2=\"35.4\"\/><line x1=\"35\" y1=\"69.4\" x2=\"0\" y2=\"34.5\"\/><line x1=\"35\" y1=\"0.4\" x2=\"0\" y2=\"35.4\"\/><\/g><g><line x1=\"81.8\" y1=\"35.4\" x2=\"1.8\" y2=\"35.4\"\/><line x1=\"35\" y1=\"69.4\" x2=\"0\" y2=\"34.5\"\/><line x1=\"35\" y1=\"0.4\" x2=\"0\" y2=\"35.4\"\/><\/g><\/svg><\/div>\n    <div class=\"swiper-button-next \"><svg class=\"qodef-svg--slider-arrow-right\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\n     xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" x=\"0px\" y=\"0px\" width=\"82.1\" height=\"69.8\"\n     viewBox=\"0 0 82.1 69.8\" style=\"enable-background:new 0 0 82.1 69.8;\" xml:space=\"preserve\"><g><line x1=\"0\" y1=\"35.4\" x2=\"80\" y2=\"35.4\"\/><line x1=\"46.8\" y1=\"69.4\" x2=\"81.8\" y2=\"34.5\"\/><line x1=\"46.8\" y1=\"0.4\" x2=\"81.8\" y2=\"35.4\"\/><\/g><g><line x1=\"0\" y1=\"35.4\" x2=\"80\" y2=\"35.4\"\/><line x1=\"46.8\" y1=\"69.4\" x2=\"81.8\" y2=\"34.5\"\/><line x1=\"46.8\" y1=\"0.4\" x2=\"81.8\" y2=\"35.4\"\/><\/g><\/svg><\/div>\n\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1fa84d4 elementor-section-full_width elementor-section-height-default elementor-section-height-default qodef-elementor-content-no\" data-id=\"1fa84d4\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-478fd41\" data-id=\"478fd41\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-efcf6f6 elementor-section-boxed elementor-section-height-default elementor-section-height-default qodef-elementor-content-no\" data-id=\"efcf6f6\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-6b2f758\" data-id=\"6b2f758\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-88c1d61 elementor-widget elementor-widget-text-editor\" data-id=\"88c1d61\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>\n            <strong>CONTENT:<\/strong>\n          <\/p>\n<p>\n            <strong>Introduction<\/strong>\n          <\/p>\n<p>\n            <strong>TECHNOLOGY: PERIL AND POETIC IMAGINATION<\/strong>\n          <\/p>\n<p>\n            <strong>9 \u2014 14<\/strong>\n          <\/p>\n<p>\n            <strong>Petar Jevremovi\u0107<\/strong>\n          <\/p>\n<p>\n            <strong>THINKING AS SUBVERSION<\/strong>\n          <\/p>\n<p>\n            <strong>20 \u2014 30<\/strong>\n          <\/p>\n<p>\n            <strong>Uro\u0161 Kr\u010dadinac<\/strong>\n          <\/p>\n<p>\n            <strong>DATA DADA: ARTIFICIAL INTELLIGENCE AND (ANTI)FASCIST ART<\/strong>\n          <\/p>\n<p>\n            <strong>31 \u2014 33<\/strong>\n          <\/p>\n<p>\n            <strong>Uro\u0161 Kr\u010dadinac<\/strong>\n          <\/p>\n<p>\n            <strong>CENTAUR CULTURE: GENERATIVE CHESS MAPS <\/strong>\n          <\/p>\n<p>\n            <strong>AS THE LANGUAGE OF A NEW DIGITAL SENSIBILITY<\/strong>\n          <\/p>\n<p>\n            <strong>36 \u2014 41<\/strong>\n          <\/p>\n<p>\n            <strong>Anica Tucakov<\/strong>\n          <\/p>\n<p>\n            <strong>HAVEN\u2019T WE ALWAYS BEEN CYBORGS?<\/strong>\n          <\/p>\n<p>\n            <strong>48 \u2014 55<\/strong>\n          <\/p>\n<p>\n            <strong>Bojana Mateji\u0107<\/strong>\n          <\/p>\n<p><strong>DATA AESTHETICS IN THE AGE OF SEMIO-CAPITALISM: <\/strong><strong>INTERRUPTION STRATEGIES AND TACTICS<\/strong><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-e3e9ae0\" data-id=\"e3e9ae0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ab7a678 elementor-widget elementor-widget-text-editor\" data-id=\"ab7a678\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<\/p>\n<p>\n            <strong>58 \u2014 64<\/strong>\n          <\/p>\n<p>\n            <strong>Darija Medi\u0107<\/strong>\n          <\/p>\n<p>\n            <strong>THE NEW MATERIALISM OF THE NEW EXTRACTIVISM<\/strong>\n          <\/p>\n<p>\n            <strong>69 \u2014 83<\/strong>\n          <\/p>\n<p>\n            <strong>Jan Krasni<\/strong>\n          <\/p>\n<p>\n            <strong>BLOOD, SOIL, BATTERIES. OR: RARE EARTHS, GEOPOLITICS<\/strong>\n          <\/p>\n<p>\n            <strong>AND MEDIA THEORY<\/strong>\n          <\/p>\n<p>\n            <strong>89 \u2014 93<\/strong>\n          <\/p>\n<p>\n            <strong>Malvina \u017dgur<\/strong>\n          <\/p>\n<p>\n            <strong>MILICA LOPI\u010cI\u0106\u2019S ART IN TRANSIT, OR FROM ART WORK TO COMMODITY<\/strong>\n          <\/p>\n<p>\n            <strong>96 \u2014 99<\/strong>\n          <\/p>\n<p>\n            <strong>Nela Tonkovi\u0107 <\/strong>\n          <\/p>\n<p>\n            <strong>RECORDING THE UNCERTAINTY: THE COLLECTION AS A<\/strong>\n          <\/p>\n<p>\n            <strong>(NON)PERMANENT REFUGE<\/strong>\n          <\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<div class=\"elementor-element elementor-element-8eff0f8 elementor-widget elementor-widget-spacer\" data-id=\"8eff0f8\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.21.0 - 22-05-2024 *\/\n.elementor-column .elementor-spacer-inner{height:var(--spacer-size)}.e-con{--container-widget-width:100%}.e-con-inner>.elementor-widget-spacer,.e-con>.elementor-widget-spacer{width:var(--container-widget-width,var(--spacer-size));--align-self:var(--container-widget-align-self,initial);--flex-shrink:0}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container,.e-con>.elementor-widget-spacer>.elementor-widget-container{height:100%;width:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer{height:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner{height:var(--container-widget-height,var(--spacer-size))}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty,.e-con>.elementor-widget-spacer.elementor-widget-empty{position:relative;min-height:22px;min-width:22px}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon,.e-con>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon{position:absolute;top:0;bottom:0;left:0;right:0;margin:auto;padding:0;width:22px;height:22px}<\/style>\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-29a4e81 elementor-widget elementor-widget-text-editor\" data-id=\"29a4e81\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>IMPRESUM:<\/strong><br \/>Publisher: NGO <strong>\u201cAnonymous said:\u201d<\/strong>, Belgrade, Serbia<br \/>Represented by: <strong>Sandra Markovi\u0107 Milisavljevi\u0107<\/strong><br \/>Editor-in-Chief: <strong>Anica Tucakov<\/strong><br \/>Cover page graphic design: <strong>\u017deljko Petrovi\u0107<\/strong><br \/>Translation to English: <strong>Katarina Radovi\u0107, Edvard \u0110or\u0111evi\u0107<\/strong><br \/>Proofreading: <strong>Jonathan Boulting<\/strong><br \/>Printed by: <strong>Slu\u017ebeni glasnik<\/strong>, Belgrade<br \/>Belgrade, <strong>Winter 2023.<\/strong>.<br \/>This publication is supported by the <strong>Ministry of Culture of the Republic of Serbia<\/strong><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>TECHNOLOGY: PERIL AND POETIC IMAGINATION Hephaestus, the unpleasant and ill-tempered Greek God of technology, was evicted twice from Olympus. Yet, despite the revulsion the other gods felt towards him, they eagerly sought his services because his great technical and artistic skills made him indispensable. This love-hate relationship towards technology can be traced forward to these [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12129,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[119],"tags":[],"class_list":["post-12165","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eye-to-i-en"],"_links":{"self":[{"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/posts\/12165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/comments?post=12165"}],"version-history":[{"count":3,"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/posts\/12165\/revisions"}],"predecessor-version":[{"id":12187,"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/posts\/12165\/revisions\/12187"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/media\/12129"}],"wp:attachment":[{"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/media?parent=12165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/categories?post=12165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ogled.org\/en\/wp-json\/wp\/v2\/tags?post=12165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}